Search results for " Slovenia"
showing 6 items of 6 documents
Typification of 14 names in the Dianthus virgineus group (Caryophyllaceae)
2021
The nomenclature of 14 taxa from Central and Southern Europe within the Dianthus virgineus group is discussed. Dianthus aggericola Jord., D. collivagus Jord., D. consimilis Jord., D. orophilus Jord., D. saxicola Jord., D. juratensis Jord. are here lectotypified by specimens from the Jordan herbarium in LY, while D. godronianus Jord. by a specimen in P. Dianthus subacaulis Vill. is neotypified by a specimen collected on Mont Ventoux (S. France) and housed in MPU. For D. sylvestris Wulfen, a lectotype is here designated and its previous neotypification is discussed. Dianthus caryophyllus var. tenuifolius Moris, D. caryophyllus f. minor Moris and D. sylvestris var. garganicus Ten. are lectotyp…
L'adriatico e la ricerca dell'identità nazionale in musica
2004
The author analyses Friedrich Meinecke's concepts of 'Staatsnation' and 'Kulturnation' in relation to tendencies of nationalism and cosmopolitanism in Italian, Slavic and German music in the region of the North Adriatic under the Absburg administration from 1860 to 1918 (Trieste, Istria, Rijeka/Fiume, Dalmazia). With regard to nationalism, the biographies of Ivan von Zajc and Nikola Strmic, both supporters of Italian opera and later proponents of the national Croatian opera (Strmic only for a short period), are useful exemplars.Other composers, such as the Italian Antonio Smareglia and the Slovenian Marij Kogoj, kept faith with the cosmopolitan idea of the Austrian intellectuals (typical al…
Cultural Paradigm and Popular Canon: The Discourse on Nation in Nineteenth-century Music of Slavic Mitteleuropa
2016
Nacionalna identiteta slovanske Srednje Evrope je v razpravi obravnavana z novim pristopom k različnim kulturnim paradigmam, takim, ki upošteva zgodovinske dogodke, preko katerih se je ob koncu 18. stoletja na Poljskem in v 19. stoletju na Češkem, Slovenskem in na Hrvaškem uveljavil splošno priznani glasbeni kanon. Pojav kanona je treba analizirati v okviru, v katerem sta kozmopolitizem in nacionalizem soobstajala v prepletu uporabne in avtonomne glasbe, kar presega zamejevanje v kategorije podrejenosti, prirejenosti in avtonomije. The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which th…
Predgovor/Foreword
2016
Nel corso del XIX secolo l'idea di popolo e l'idea di nazione hanno prodotto la nascita di nuovi orientamenti nella musica dei paesi slavi della Mitteleuropa. Le fonti cui si sono ispirati i fautori dei movimenti nazionali in Germania, Austria, Polonia, Cekia, Slovenia e Croazia sono state descritte come popolari, ma si tratta in realtà di musiche folkloriche, devozionali, brani d'opera e brani d'autore, che furono usati anche nella musica d'arte (opere e sinfonie), con l'unico scopo di attestare i principi identitari essenziali per la formazione dei futuri stati dopo la caduta dell'impero austro-ungarico. La storia e le tradizioni dei paesi sopra elencati non hanno quasi nulla in comune, s…
Arheoloģija Baltijā 21. gs. sākumā: jaunākie pētījumi, aktuālās diskusijas un mūsdienu izaicinājumi: referātu kopsavilkumi, 2022. gada 18. februārī L…
2022
Jau divas desmitgades Latvijas Universitātes (LU) starptautiskās zinātniskās konferences ietvaros katru otro gadu norisinās Arheoloģijas sekcija, ko rīko LU Vēstures un filozofijas fakultāte. Pirmoreiz šāda sekcija tika rīkota LU 61. zinātniskajā konferencē 2003. gada 10. februārī. Turpinot iesākto tradīciju, arī 2022. gada 18. februārī LU 80. starptautiskās konferences ietvaros Vēstures un filozofijas fakultātes Vēstures un arheoloģijas nodaļa organizēja arheoloģijas problemātikai veltītu sekciju, kurā tika aplūkotas daudzveidīgās un aktuālās mūsdienu arheoloģijas attīstības tendences Latvijā un Eiropā. Daļa konferences referātu pievērsās dabaszinātņu un tās pētniecisko metožu lomai arheol…
De Musica Disserenda, XII/1, 2016: Nineteenth-Century Music in Central Europe: Paradigms and Popular Canon
2016
Nations and nationalism have been a main research topic for decades, but the last few years have witnessed noticeable growth in these studies. The perspective generally accepted in the humanities – that demands for political independence of the nations in nineteenth-century Central Europe were premised on a sense of cultural identity – has also been taken up by contemporary musicological thought. Essays by philosopher and social anthropologist Ernest Gellner on “invented nations” in Nations and Nationalism (1983), or by historian and political scientist Benedict Anderson on “imagined communities” in Imagined Communities: Reflections on the Origin and Spread of Nationalism (1991), supported …